Paths of Light--oil, 8x10"
Small paintings, many plein air (done onsite), plus other new art. News or discussion of my art or other artists' work. Prints and greeting cards of some of the art is located at www.fineartamerica.com My email: mg.artist@hotmail.com.
Tuesday, October 25, 2011
Sunday, October 23, 2011
Thursday, September 15, 2011
Tuesday, August 16, 2011
Step 2I have painted over the charcoal with a Raw Umber wash. I fixed the charcoal, but it mixed with the paint too much anyway. That's no problem, but next time I'll skip the charcoal shadows, or put it on very lightly.
My tendency is to get too detailed; that's ok for a portrait, but this time I want to emphasize the beauty of her face and the gracefulness of her hand. The colors and the north light will hopefully support this vision.
Monday, August 15, 2011
Step 1A figure/portrait painting I am starting - I have toned the canvas with Venetian Red. The background will be painted with a bluish green, but the VR will show through in places to harmonize with the same color of wrap she is wearing. This is a 16x20" canvas, I have done this much from a photo, but will try to get the model back to paint from life when I start adding color.
The drawing has been done using the sight-size approach, where the photo is positioned so that it looks the exact same size as the canvas. (the photo is much closer to me - the canvas is across the room and I must walk forward to make a mark each time.) I used vine charcoal and have indicated shadows.
Tuesday, August 09, 2011
Monday, August 08, 2011
Thursday, July 28, 2011
Sunday, July 17, 2011
Step 3
Step 2 looked almost identical to step 1. I just put a few more darks in.
This is after the first live painting session. I feel rusty, out of practice, which I am. When I think about how many hours a serious piano student practices per week, or violinist, even as a child (or consider a professional athlete), well no wonder I feel this way and have many missteps.
I can correct some things working from my photograph, and I hope to have another session with the model. It would be best if I didn't use the photo this time, tho. Painting from life always yields better results, if you can get time with the same model and the same pose. This represents 2+ hours.
Wednesday, July 13, 2011
Friday, July 08, 2011
Wednesday, July 06, 2011
Exposed Wall--pastel, 5.5x12"
I couldn't think of a better title. Done mostly en plein air (on site). The building to the left of the doors seems to be all boarded up. I sat across the street on a sidewalk that rarely gets any foot traffic. It looks like a beautiful old survivor that is in good condition. Maybe someone will turn it into something. An ice cream parlor sounds good today.
Monday, July 04, 2011
Saturday, July 02, 2011
I'm going to be painting these storefronts from this photo and another. I had this brilliant idea to post sketches, ideas, and progress on paintings as I work on them. (Duh! Other artists have been doing this for a long time!)
This is going to be a large painting, and of course it will remind you of Hopper's "Early Sunday Morning" painting. My challenge will be to make it not look like a Hopper (probably no problem there) and not look like just a copy of the photograph. I am interested in pattern, color, and light/shadow, so we'll see if I can emphasize those things.
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